There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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2025 年度，共有5309 家企业对外披露了研发人员情况，较上年度小幅增长2.23%；披露研发人员的企业数量占比75.15%，略高于上年的74.43%；披露研发人员共计388.35 万人，较上年增长3.57%——扩张速度超过了披露研发人员企业的增幅。
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